When Hip Hop Unmasks Masculinity, Part 2

SUMMARY

In part 2 of our conversation with Dr. Joseph Ewoodzie and Professor Tyler Bunzey, we open with Dr. Ewoodzie’s seminal book about hip hop, Break Beats in the Bronx: Rediscovering Hip-Hop’s Early Years

• He shares how hip hop’s musical structure helped him understand sociology thinkers and their theories.

• He shares how his interest in understanding belonging influences his hip-hop curriculum and how that led him to question the hip-hop history that existed prior to his book.

• Samantha and Tyler Bunzey give Dr. Ewoodzie his flowers for writing one of the only books crediting women’s contributions to hip-hop culture, music, and history.

• How much has hip hop evolved? 

• How have MCs dealt with that evolution or the lack thereof? Things were said in the past that could never be said today (homophobia and ignoring consent), and things are said today that would never have been said in the past (vulnerability).

• But some things have only marginally changed, such as women still having more space for flexible sexuality than men do...

• Who are the gatekeepers in hip hop? It may not be who you think… Tyler Bunzey offers a theory and shares the best hip-hop culture analogy 9th Wonder made when he was studying under the acclaimed producer at Duke.

• He shares his gripes about how the arts get left behind in terms of funding and the importance of exposing students to different perspectives and identities in the industry.

• Professor Bunzey provides more context on how consumers are also complicit in upholding MASKulinity in commercial hip hop.

• Hip-hop bracket anyone? The scholars share about the Hip-Hop and Urban Sociology course they coteach and how hip hop provides an interesting lens for looking at sociological issues. Like Samantha, you, too, may be sad that this class wasn’t around when you were in school.

Referenced in the episode

• Mark Anthony Neal’s Looking for Leroy: Illegible Black Masculinities

• Tyler Bunzey’s Hip Hop Sublime theory

• Dr. Ewoodzie’s seminal book Break Beats in the Bronx

• C.R.E.A.M. - MASKulinity’s takeover of Next Gen Men's Future of Masculinity Newsletter

• Troy Smith’s thoughts on hip-hop knowledge; his archives

COMPANION PIECES:

• When Hip Hop Unmasks Masculinity, Part 1

• Tyler Bunzey on Beneath the MASK 🎭

• Sugar Hill Band? Capitalism and MASKulinity in Hip Hop

• MASKulinity is Making Some People a Lot of Money

OUR GUESTS THIS WEEK:

Dr. Joseph Ewoodzie, Jr.

Dr. Joseph Ewoodzie is Associate Professor of Sociology and Vann Professor of Racial Justice at Davidson College. He studies belonging. In all of his research, he aims to understand how we create an "us" and a "them" and  structure our world to benefit the "us" and penalize the "them." 

His first book, Break Beats in the Bronx: Revisiting Hip Hop’s Early Years, combines history and sociology about symbolic boundaries to provide an account of the making of hip hop. With the help of previously unused archival material, he sheds light on a crucial period (1975-1979) consistently ignored in the historical literature.

His latest book, Getting Something to Eat in Jackson: Race, Class, and Food in The American South,  provides a vivid portrait of African American life in today’s urban South and uses food to explore the complex interactions of race and class.

Tyler Bunzey

Tyler Bunzey is Visiting Assistant Professor of Cultural Studies at Johnson C. Smith University. His teaching relates to the history of race and  popular music , hip-hop studies, and Critical Race Theory. His notable courses include "Rapsody's Eve and Hip-Hop Feminism," "Critical Race Theory: A Survey," and "The History of Hip-Hop."

Tags